Recipes from the “Kriegskochbuch” (war cookbook), 1915
The following recipes are from a German “war cookbook” of 1915. The idea behind this cookbook was to provide options for simple, cheap meals, with ingredients obtainable in austere wartime conditions. These recipes were not created from nothing in 1915, and they did not diappear afterward- they are rooted in German traditional cuisine, and simple meals like this were served before WWI and also during the depression, in WWII, and beyond.
All recipes serve 4 portions.
Cabbage Soup
One small head Savoy cabbage or white cabbage
2 tbsp. fat
4 tbsp. flour
1-1/2 ltr. water
Pinch of pepper, salt
Clean cabbage, cut in strips, wash. Heat the fat, add cabbage and braise. Sprinkle with flour, stir well, add water and boil 1-1/2 to 2 hours, to taste.
Pickle Soup
1 small pickle or 1/2 a large pickle
2 tbsp. fat
4 tbsp. flour
1-1/2 ltr. water
1-2 tbsp. vinegar, salt
Make a roux of fat and flour, slowly add water. When boiling, add diced pickle. Add salt and vinegar to taste.
Sauerkraut Soup
As pickle soup above, instead of pickle use sauerkraut.
Carrot Soup
3 large carrots
1 small onion
2 tbsp. fat
4 tbsp. flour
1-1/2 ltr. water from cooking carrots
1 tsp. parsley
1 tsp. sugar, salt
Peel the carrots, cut into small pieces, cook until done then push them through a strainer. Cook fat, onions and flour together, then pour in the carrot water. Add carrots, boil well, season with salt, parsley and sugar. If desired, you can replace half the carrots with potatoes; just use 1 less tablespoon of flour.
Baked carrot and potato dumplings
2 lbs. potatoes
2 lbs. carrots
2 tbsp. milk
salt, pepper
60 grams fat
For the sauce:
1 tbsp. fat
2 tbsp. flour
3/8 ltr. water from cooking the carrots, salt
1 tbsp. parsley, a little sugar
Boil the potatoes and carrots and push them through a strainer. Mix with salt and pepper, then form dumplings. Press them a bit flat, and fry in a frying pan until brown. To make the sauce, fry the flour and fat until yellow, pour in the carrot water, and bring to a boil. Season with salt, sugar and parsley.
Uniform and equipment issue lists for soldiers in Landesschützen and Sicherung units
The Soldbuch was the standard identity document carried by every Wehrmacht soldier. Among the information recorded in this document was a complete list of uniform and equipment items, that the soldier was issued. This information is an extremely valuable resource for anyone trying to learn what was issued to soldiers in specific units, or types of units.
Gefreiter Josef Foschiatti was assigned to occupation duty in Norway with Festungs-Bataillon 655, Sicherungs-Bataillon 668, and Feldkommandantur 200. In his Soldbuch picture, which dates from 1943 or 1944, he wears an M36 tunic. His collar Litzen are improperly folded and crudely hand sewn with thick dark thread.
The uniform and equipment issue insert in his Soldbuch is very interesting. The “Tornister 34 m. Trager.” and “Tornister 39” are printed as separate items. Foschiatti had the 34 model, with integral shoulder straps, as late as April 1945. He also had 3 collar binds and 1 pair “Tragegurten” which I were the internal suspenders for the M36 and M40 model field blouse. He had jackboots. It is likely that this soldier in 1945 had what we might regard as an “early war” appearance.
His uniform and equipment issued by Sicherungszug 280 in April 1945:
1 field cap
1 field blouse
1 HBT jacket
1 pair wool pants
1 pair HBT pants
2 pair underwear
1 pair sports shorts
1 overcoat
1 Zwieback bag
3 collar binds
2 shirts
1 sweater (“Schlupfjacke 36”)
3 pairs socks, 1 pair foot wraps
1 pair jackboots
1 helmet
1 Tornister 34 with straps
1 pair slippers
1 butter dish
1 Zeltbahn and accessories
1 belt with buckle and bayonet frog
3 equipment straps
1 bread bag with strap
1 canteen with cup
2 mess kit straps
2 ammo pouches
1 mess kit
1 ID disk
2 hand towels
1 eating utensils
1 handkerchief
5 cleaning brushes
1 pair internal suspenders
1 sewing pouch
1 blanket
Foschiatti also had a rifle, a bayonet, an entrenching tool, a gas mask model 1930, a gas sheet, 4 Losantin containers, an RG34 rifle cleaning kit, and bandages- 1 large, 1 small.
Here is the uniform and equipment issue record for another soldier, Gefreiter Rudolf Mainz.
Mainz was issued the following while serving with Landesschützen-Btl. 442 on September 23, 1944:
2 field caps
1 field blouse
1 HBT uniform…
2 wool trousers
2 pair underwear
1 overcoat
2 collar binds
2 shirts
1 sweater
1 toque
1 pair gloves
1 pair leg warmers
1 pair socks
1 pair low boots
1 Waffenrock
1 helmet
1 rucksack
1 belt
3 equipment straps
1 bread bag without strap
1 canteen
1 ammo pouch
1 hand towel
2 handkerchiefs
1 pair suspenders
1 ID disk
3 pairs shoulder board unit slip-ons
He also got a captured French rifle and bayonet on the same date. Specifically, a Berthier Mle 1907/1915.
Internal suspender retaining hooks on German Army M36 and M40 field blouses
Every factory made enlisted issue M36 and M40 field blouse was lined in such a way to accommodate the internal suspenders that held the belt hooks in place. Part of this system was two small wire hooks sewn into the field blouse liner, below the belt hook eyelets on each side. These hooks retained the ends of the internal suspenders. There were no corresponding retaining hooks below the rear belt hook eyelets.
A small sample of original enlisted issue M36 and M40 field blouses was examined to determine what types of suspender retaining hooks were used and how they were positioned.
Small buttons on the German Army field blouse
A small sample of original WWII German Army enlisted issue uniform jackets was examined to assess what kind of small buttons were applied at the factory. M36, M40, M42 and M43 jackets were examined, as well as one factory converted Dutch reissued field blouse.
M36, M40, M42 and M43 field blouses each had ten small buttons in addition to the larger pebbled metal front placket and pocket closure buttons. These small buttons measured approximately 14 mm in diameter. Five were used in the collar to affix the collar bind, one closed the internal bandage pocket, and two were used to secure each cuff closure. The following types of buttons were observed in this small sample.
On an M40 field blouse:
On an M43 field blouse made in 1944:
This was on an M43. A different color shade.
Black plastic button on the converted Dutch jacket. The collar and buttons were added for Wehrmacht issue.
This M40 field blouse had black plastic buttons inside but horn buttons for the cuff closures. Two jackets had different button types for the cuffs as for the buttons inside this garment. It was not possible to determine if these left the factory in this configuration, or if the cuff closure buttons were replaced.
“Der Winteranzug der deutschen Soldaten”
The Winter Clothing of the German Soldier
by Oberfeldzahlmeister Wortmann
published in “Deutsche Uniformen-Zeitschrift”, February 1944
Translated by Chris Pittman
The winter of 1941/42 showed that our German winter clothing, built for central European conditions, does not measure up to eastern European degrees of cold. Through the unparalleled donation by the German people of fur and wool items, the troops in winter 1941/42 were provided with the necessary additional cold protection. The donations were even so generous that considerable surplus remained, which was professionally stored and partially reworked, and made usable for the troops for the next year. Additionally, the clothing that had been worn in the winter was collected again in Spring 1942 and prepared with much care for the winter of 1942/43- disinfected, cleaned, repaired.
This stock of winter uniforms formed a foundation that could be built on, but in no way did it achieve an adequate supply for our troops deployed in the East in winter 1942/43. Totally new clothing, suitable for the eastern European winter, had to be developed. For this, the experiences of the first winter were extensively used. Clothing pieces were needed that adequately protected the soldier from the rigors of Eastern weather, while at the same time not hindering his ability to move. The heavy fur coat was not suitable for these requirements, because it was unusable in combat and on the march. Other ways had to be pursued.
Through wear trials, tests in cold chambers, and tear tests, the so-called Winteranzug (padded winter uniform) was developed in painstaking detail. It consists of a hood, a padded jacket, padded trousers, mittens, leg warmers and felt boots.
The clothing was, in all parts, originally white on one side for snow camouflage, with the other side kept in the normal field gray camouflage color. This Winteranzug was to have been on hand for every fighting soldier in the winter of 1942/43, according to our ambitious goal. Between development, planning and manufacture there was still a long and thorny journey. Everyone in the positions concerned with manufacture of the winter clothing had to be brought up to speed. The production of the Winteranzug required large quantities of wool, spun rayon, leather, impregnation material, etc.- all materials, that we had a shortage of in Germany. The raw materials had to be procured, and they were procured. Also, the manufacturing difficulties that arose due to wartime conditions were energetically attacked and overcome.
Already in fall of 1942 the total supply of entirely newly developed and manufactured winter clothing stood behind the Eastern Front, ready for distribution to the troops.
The winter or combat clothing, that was worn over the usual uniform, was still only intended for the real combat troops, for whom the fur coat or large overcoat was too heavy and too much of a hindrance to movement. All other soldiers, who did not get the Winteranzug, instead received the large overcoat, fur overcoat, fur jackets and the like. In any case, by the winter of 1942/43 there was not remaining one soldier on the Eastern Front who was not adequately equipped with outstanding winter clothing.
In this new eastern winter, as a rule, every soldier in the east and in the north had in addition to the Winteranzug or fur coat or large overcoat at least two toques, two pairs of gloves, two sweaters, and one pair of felt boots, or felt shoes, or fur boots, or cloth overboots. Along with that came also padded undertrousers and oversocks for those soldiers not equipped with the Winteranzug. To compensate for unexpected demands, reserve stocks of paper overgarments (used to good effect in Japan and Finland) and straw boots were built up in all battle areas.
Of course, there were some growing pains with the Winteranzug and the entire usual winter clothing, nothing that reduced the value of the winter kit, but instead led to valuable suggestions for improving the supply for winter 1943/44. Spring and summer of 1943 were extensively used for the further development and production of additional winter clothing articles. The Winteranzug was given additional camouflage effectiveness by replacing the previous field gray side with splinter pattern camouflage, and additional improvements were made to manufacture. The felt boots got leather up to calf height and a sturdy leather sole, so that they could also be used as marching boots. Gloves, the padded hood, large overcoats, and other winter clothing articles were improved on the basis of previous experiences.
In the winter of 1943/44, on the entire eastern and northern fronts, every soldier was splendidly equipped with winter clothing. The combat troops got the previously described Winteranzug, gauntlet gloves and felt boots, in which they could confidently hold up even in temperatures as low as 30 degrees below zero, and lower. The members of the troop trains and units deployed to rear areas were equipped with fur coats, large overcoats, felt boots, felt shoes, etc. Special camouflage garments, such as snow smocks, snow jackets and pants, anoraks, wind jackets, etc., are available in large quantities for ski troop and scout troop operations.
For our troops in the East, everything possible is being done to supply them with the best in winter clothing. Our soldiers also thankfully acknowledge the work being done in this regard in the homeland.
“Just wear it” versus reenactment realities
In a previous article we discussed artificial “aging” of reproduction items used for reenactment as a way to make them look more like originals. The term “aging” as used here means applying artificial means to create the appearance of something that was extensively worn and used over a period of time. It does not mean trying to replicate the appearance of something that is simply old- in fact, there is no way to achieve that, because the passage of time, alone, does not necessarily leave any trace on an object. Here is a case in point:
Both of these packs were made within a year or two of each other, circa 1943-44. The green one is in brand new factory mint condition. The leather is smooth, straight, unblemished. The stitching and drawstring are bright white. The fabric is pristine. The metal hardware retains all of the original paint. This rucksack was never issued or used. The passage of more than 70 years has not altered the appearance of this object in any way whatsoever. Compare that to the blue pack. The leather is stretched out, the straps have curled up. The paint is worn away from the hardware and the metal has rusted. There are large and small holes and quite a few careful hand-sewn repairs. The fabric is frayed and torn, the bottom is stained. This is a pack that someone used a lot, and it shows. It is not time that makes an item look like this. It is wear and use.
For field soldiers, war was a harsh reality. The rigors of their existence took a toll not only on the fighting men, but on their uniforms and equipment. Items worn and used in these demanding conditions very quickly took on a very obviously used look. This look became a recognizable characteristic of soldiers in the field. It’s why costume designers creating wardrobes for war movies artificially distress items used as props. It’s a visual thing.
There are reenactors who believe that the best way to create an impression of a veteran field soldier is simply to wear the uniform and equipment until it appears visibly worn. Their mantra is, “Just wear it.” Is that reasonable? Reenactments are usually only a weekend long and few hobbyists attend more than one event a month. Some events may include long marching, digging field positions, or other arduous activity, but others may recreate garrison tasks that incur no serious wear on gear. Soldiers in WWII were wearing their uniforms every day, sleeping in them, marching for miles, living in holes in the earth. They were fighting for their lives. Does reenactment put an equivalent amount of wear on gear? Not a chance. But even if it did, a reenactor would have to go to events each month for several years to achieve the look of something continuously worn in the field for just a few weeks. A soldier wanting to present a realistic visual impression of a soldier who has been living in the field for some time may not want to wait years to look believable. That is the purpose of aging. It’s not about making something look old, but it is necessary if new items are to be used as stand-ins for objects that, in reality, were very visibly used.
It is true that some soldiers were fortunate enough to be issued new items. Others had to make do with reissued uniforms and equipment. But even the new stuff, in those conditions, did not look new for very long at all. The visual aspect of reenacting is crucial, hobbyists strive to prevent a convincing appearance. The “just wear it” approach is great if one is portraying a recruit being trained in a garrison. But to take an impression consisting of all brand-new items, subjected to a year of reenactments, and state that the impression being portrayed is of a guy who has been living in the field for weeks or months? Frankly- I’m not convinced.
How many years of “just wearing it” would it take before a reproduction Rucksack looks like the blue one in the photo above? How many decades?
Tactical employment of Wehrmacht security units
Field expedient stove for Zeltbahn tent
Staying warm in cold weather, especially during winter nights, is a problem as old as mankind. For winter deployments, we often struggled with ways to heat our 8-panel Zelt (in a period-correct way). A short clip in a wartime German Wochenschau newsreel film provided an answer. In this clip, a Wehrmacht-issue “Jerry can” fuel container was shown inside a Kübelwagen. The can had been modified into a stove, to provide warmth. Here are screen captures from the film.
WWII German Wehrmacht unit designations and abbreviations- a basic primer for reenactment
WWII German unit designations can be hard for reenactors and reenactment units to fully understand. They are very different from the American military designations that many are familiar with. They are in a foreign language, and many references use English translations instead of the original German terms. Many different abbreviations were sometimes used for the same term, making it challenging to identify which form is most common or typical. It is possible to be an experienced reenactor and amateur historian and still not really have a grip on the correct designation of the unit one is portraying. To that end, I hope that this basic primer will be of some use.
Why is this important? Nearly every reenactment group uses a military unit designation to identify itself. This designation is part of the “brand” of a reenactment unit. Facebook pages and web sites will bear these designations, as will camp or barracks signage at reenactment events. An incorrectly rendered designation not only can be embarrassing to a unit trying its best, but it is an authenticity issue, as well.
The good news is that identifying the correct unit designation, and abbreviating it correctly, is not terribly difficult. The Wehrmacht was a force of millions of men, in thousands and thousands of different units, so possible unit designations and abbreviations are nearly infinite. But nearly all reenactment groups portray the same types of units (largely ground combat units, mostly Heer and Waffen-SS) and the designations for these typical units are easy to identify and describe.
Let’s start at the beginning, at the most basic level. One soldier. In most units, he is in a squad- a Gruppe. Squads are grouped usually into a platoon- a Zug. These are generally really not important from a unit designation perspective. The next level, though, is important. A number of platoons would form a Kompanie (in Artillerie units, a Batterie; in Kavellerie units, a Schwadron). The Kompanie is extremely important for the reenactor. In nearly all units, this Kompanie designation would be in every soldier’s Soldbuch, the identity document every soldier carried. The soldier would know what Kompanie he was in. The Kompanie is designated by an Arabic numeral, for example: 3. Kompanie, abbreviated 3. Kp.
The Kompanien (plural of Kompanie) would be grouped into a Bataillon. This is designated by a Roman numeral: I. Bataillon, abbreviated I. Btl. For nearly all unit designations, the Bataillon designation is not only unnecessary, but altogether superfluous and would not be used. The reason for this is that the Kompanien were numbered sequentially in a Regiment and assigned in a regular way to a Bataillon. In a regular Infanterie-Regiment, generally speaking, 1.-4. Kp. would be I. Bataillon, 5.-8. Kp. would be II. Bataillon, 9.-12. Kp. would be III. Bataillon. So if you are in 1. Kompanie you would never need to indicate that you were in I. Bataillon because 1. Kp. is always in I. Btl. and there is no 1. Kp. in any other Bataillon in the Regiment. In general, the only time Bataillon needs to be included in a unit designation is when the unit being portrayed is a Bataillon staff. Reenactors get this wrong very often.
With Bataillon being superfluous, the next thing that is important after Kompanie is the designation of the Regiment, Abteilung, or, sometimes, independent Bataillon (depending on unit type). This is usually a numbered unit and the number comes after the unit type: always Artillerie-Regiment 3 or Pionier-Bataillon 3, never 3. Artillerie-Regiment or 3. Pionier-Bataillon. This part of the designation is crucial. It is most important. This part of the designation is, in virtually all cases, what determines what unit insignia a reenactor wears. The Waffenfarbe branch color worn on insignia is determined by the Regiment or Abteilung. Before the use of unit numbers on insignia was abolished, the number of the Regiment or Abteilung is what would be worn on the shoulder straps.
The next level up from that is the Division. This aspect of structure is of almost no importance at all unless you are portraying a Divisional staff. The reason for this is that the number of the Regiment or Abteilung is unique and only used once in the entire armed forces. There was only one Panzer-Regiment 6, for example. There would be no need to say “3. Panzer-Division, Regiment 6” because there was only one Panzer-Regiment 6 in the whole Army and it happened to be in 3. Panzer-Division. In any other Panzer-Division, each Regiment also had its own unique number, used only once. The designation of the Regiment or Abteilung makes the use of the Division designation totally superfluous. It would not be included because it didn’t matter. A designation like “3. Panzer Div. Nachrichten-Abteilung” for a signals unit in a Panzer division is totally wrong. It is missing the important unique number designation (39, in this particular case) and it is including the Division which is superfluous and shouldn’t be included. The correct designation for this unit is, simply: Nachrichten-Abteilung 39. The fact that it happens to be attached to a Panzer-Division, not some other kind of Division, is unimportant and has no impact on the unit designation.
With that out of the way, we can get down to the nitty-gritty of what the unit designation looks like and how it can be abbreviated. The designation of the unit we portray is:
Do you see the slash in that second abbreviation? That is something that seems to trip people up all the time. It’s not the Division, not the Regiment. The number before the slash is the Kompanie, or the Bataillon. How to know which is which? Kompanie is Arabic numeral, Bataillon is Roman numeral. 3./Sich.-Rgt. 195 was one Kompanie in I./Sich.-Rgt. 195. Please note also that if you are using the abbreviation “Kp.” for Kompanie, you don’t also use the slash. 3. Kp./Sich.-Rgt. 195 would not be correct, even if it is not inconceivable that even some wartime Germans might have made that mistake. And don’t use the slash in any other way. That’s basically it. A Kompanie in a Pionier unit might be 2./Pionier-Bataillon 22, a Schwadron in an Aufklärung unit could be 2./Aufklärungs-Abteilung 207. Note that the umlaut is a really important part of spelling, it’s not Aufklarung, or Jager. If you can’t type the umlaut you have to put an “e” after the vowel that is supposed to have the umlaut: Jaeger.
Lastly, a note about Waffen-SS designations. These will always have “SS” as part of the unit designation to differentiate from Heer units, for example, SS-Panzergrenadier-Regiment 25, or 3./SS-Flak-Abteilung 17. And as much as reenactors love the Divisional identifier worn on the cuff title, it really doesn’t belong in the unit designation. Some SS units had their own special names, for example SS-Panzergrenadier-Regiment 6 “Theodor Eicke” or SS-Panzergrenadier-Regiment 3 “Deutschland.” But most units did not have these names as part of the designation. A soldier in the 5. SS-Panzer-Division “Wiking” might have worn a “Wiking”cuff title if he was not in one of the units in the division with a special name, but it would not have been part of the unit designation- the Panzer unit of “Wiking” was just plain old SS-Panzer-Regiment 5. And a designation like “1. SS” simply makes no sense.